Chapter 6 - The List Behind the Painting

Ethan woke up for real two days later.
He was still weak. Still bruised. Still wired to more machines than I could stand to count. But his eyes opened and stayed open, a cloudy blue, and scared.
I was there. I hadn't left the hospital except to shower in the family room and change into clothes a nurse's sister had pulled from a donation closet for me.
"Mommy?" he whispered.
I nearly folded over the bed rail. "I'm right here, baby."
His lower lip started to tremble. "I tried to be good."
"Oh, Ethan." My voice broke in half. "You were good. You are good. None of this is your fault. Not one bit of it."
His eyes moved over my face like he was checking whether to believe me.
"Grandma said you weren't coming."
"I came as fast as I possibly could."
"She said you gave me away."
The words went in like a knife.
I kissed his fingers, careful of the bandages. "She lied to you. I would never give you away. Never, ever."
His gaze drifted toward the door. "Is he here?"
"Is who here, sweetheart?"
He swallowed hard. "The man with Daddy."
I stopped breathing. Then I hit the call button.
Within minutes Marsh and Agent Ruiz were outside the room. A child psychologist came in before they asked Ethan anything. They were gentle with him. They let him hold his blue blanket — recovered from my mother's house, washed twice, and still somehow faintly smelling of smoke.
Ethan talked in fragments. That's what kids do when they're frightened. They drop little pieces of the truth like breadcrumbs and hope somebody's brave enough to follow the trail.
He said Grandma took him out to the backyard after dinner because Chloe told her he'd been "spying."
He said he heard voices coming up from under the shed.
He said Daddy was angry "because the red door was open."
He said there was another man down there with a silver ring shaped like a snake.
He said they were talking about "the list."
The list. Agent Ruiz's expression shifted the second he said it.
"What list, honey?" she asked softly.
Ethan's fingers tightened in the blanket. "Names," he whispered. "Kids' names."
The room seemed to tilt.
"Did you see the list, Ethan?"
He nodded.
"Where was it?"
"In the wall."
Marsh leaned in. "What wall, buddy?"
Ethan's eyes filled up. "The red room wall. Behind the picture."
Then he started to cry, and the psychologist shut the interview down right there.
I held him until he fell back asleep.
I didn't sleep. Rain ticked against the window all night, and somewhere in the dark I remembered something.
A picture.
In the hallway of my mother's house. A faded little painting of a red farmhouse with a white fence. It had hung in that exact spot my entire childhood. My mother hated clutter. She hated sentimental junk, hated framed family photos, hated anything that made a wall look busy.
But she never once took that painting down. Not when she repainted the hallway. Not when she gutted and redid the kitchen. Not even when Chloe threw a lit candle during a screaming fight and left a black scorch mark across one corner of the frame.
Behind the picture.
May you like
I called Marsh at 3:12 in the morning.
"I know where the list is."